Blues Rock Rhythm Guitar Major Triad Edition
You're not just watching. You're playing with me.
Most rhythm guitar courses show you shapes and leave you to figure out the rest.
This one is different.
Every concept, every chord, every section, we play it together. I play for four bars, you play for four bars, and by the end, you're not just watching. You're actually doing it.
The blues is made up of three dominant seventh chords. Each of those dominant seventh chords has three major triads we can use over the top to get those really cool sounds. First, I'll take you through each chord of the blues and show you how to apply those triads. Then we'll put it all together into four rock and E blues examples. Same concept: we play together.
- The Formula The system behind which three major triads pair with each dominant seventh chord, so you always know what to reach for.
- Triads Over Every Chord of the Blues Detailed breakdowns for E7, A7, and B7. Each chord gets multiple triad pairings, taught one at a time, then layered together.
- Play-Along Practice Sessions Every concept has a dedicated practice session. I play four bars, you play four bars. You're in it from the start.
- Four Full Blues Rock Etudes Once the vocabulary is in your hands, we apply it over four complete E blues etudes, including I–IV, I–bVII, I–IV–bVII, and voice leading.
- GP Files, Tracks, and PDFs Notation, tab, and tracks included so you can keep working on this material long after the lessons are over.
How Every Lesson Works
Four bars at a time, start to finish.
I Play Four Bars
I demonstrate the triad idea over the chord. You watch, you listen, you lock into the groove.
You Play Four Bars
Your turn. Same chord, same groove, same camera. You play the idea back, in real time.
Repeat Until It's Yours
Every concept has a dedicated practice session. You're in it from the first lesson to the final etude.
By the end, you're not just watching. You're playing.
A System, Not Just Shapes
Understand exactly which three major triads live inside each dominant seventh chord, and why they sound the way they do.
You Play, Every Step
Four bars me, four bars you. Every concept, every chord. You're doing it in real time, not saving it for later.
Triads Over E7, A7, and B7
Multiple triad pairings for every dominant seventh chord in the blues, taught one at a time, then layered together.
Put It All Together
Four complete E blues etudes tie every concept into real, playable rhythm guitar parts you can use right away.
Inside the Course
28 video lessons. Foundations, triad pairings for every chord, practice sessions, and full etudes.
- Introduction 0:44
- The Formula 14:50
- The Triads 10:32
- E7 — E & D Triads 12:58
- E7 — E & D Triads Practice Session 8:39
- E7 — E & A Triads 7:32
- E7 — E & A Triads Practice Session 7:47
- E7 — E D & A Triads 9:21
- E7 — E D & A Triads Practice Session 8:19
- A7 — A & G 5:19
- A7 — A & G Triads Practice Session 5:05
- A7 — A & D Triads 6:25
- A7 — A & D Triads Practice Session 4:51
- A7 — A D & G Triads 5:08
- A7 — A D & G Triads Practice Session 5:46
- B7 — B & A Triads 6:17
- B7 — B & A Triads Practice Session 4:33
- B7 — B & E Triads 2:44
- B7 — B & E Triads Practice Session 5:00
- B7 — B E & A Triads 8:01
- B7 — B E & A Triads Practice Session 5:28
- E Full Blues Introduction 1:36
- E7 — Blues Rock Etude #1 — I IV 9:45
- E Blues Etude #2 — I to bVII 7:00
- E7 — Blues Rock Etude #3 — I IV bVII 9:28
- E Blues Etude #4 — Voice Leading 8:03
- Final Thoughts and Thanks 7:02
- GP Files, Tracks, and PDFs