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When most of us first start soloing over the blues, we begin with the minor pentatonic scale—and for good reason. There’s a lifetime of music in those five notes. But when I listened to my heroes—players like B.B. King, Peter Green, and Eric Clapton—I noticed something different. 


Their playing had a sweeter sound. A singing, vocal-like quality. I could still hear the blues in there, but there was also more major pentatonic flavor, some tasty chromatic moves, and a way of outlining the chord changes that made every note feel inevitable. 


I remember hearing B.B. King and thinking: “What IS that?!” It wasn’t until I dug in and connected the dots that it all started to click—and when it did, my whole approach to soloing changed. My bandmates even noticed right away that I wasn’t just playing “stock” blues licks anymore. My vocabulary had opened up. This why I created Major Moves: Unlock Sweeter Blues Solos Master Class.


In this Master Class, I’m going to walk you through the exact path I used to get there.


We’ll cover:

✅ B.B.’s Box – his signature sweet spot on the fretboard

✅ Mixing major and minor pentatonics for instant emotional range

✅ Chromatic passing tones that add sophistication and movement

✅ Classic B.B. King intros that pull listeners in before the solo even starts

✅Licks in the style of B.B. King, Peter Green, and Eric Clapton

Outlining chord changes so your solos sound melodic, not just scale-based


By the end, you’ll have a whole new set of tools to make your solos sing—and sound like the classic blues masters who inspired generations of players


The Details:

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